Displaying items by tag: SLAC49

If you don’t remember (or never saw) Ibsen’s original A DOLL'S HOUSE, don’t worry: there’s absolutely no need to study up on the 140-year-old Norwegian play to enjoy PART 2. Even if you are familiar, here are some facts about the setting:IMG 8107Plaque marking the former site of Henrik Ibsen's apartment in Bergen, Norway. Photo: Joshua Black

• Nora, hitherto an extremely submissive wife, left her husband Torvald and their 3 children at the end of the first play
• Divorce was practically unheard of then. Only 7 cases were recorded in the 1880s in Norway, a country of 2.2 million people
• Protestant sensibility, in an effort to combat some of the effects of industrialization, had made the marriage contract and the family unit priority number one in civilized society
• There were very few rights for women in Norway (or Europe, or America for that matter) at the time. A woman was considered her father’s property until she was married, at which time she became the property of her husband

The moment Nora leaves her husband and family is the most famous part of the original story, and has been referred to as “the door slam heard round the world.” Nora’s actions in the play reverberated in the hearts of audiences, for good or for ill, and ushered in a cultural shift that had been brewing at the time – and that we’re still trying to figure out how to live with today.

When the original play premiered, audiences were shocked. They weren’t even used to hearing a play performed with realistic dialogue (they were used to metered verse at the theatre), let alone seeing a woman who shakes off her most sacred duties to marriage, family, and a happy ending. No one expected to see Nora slam the door on Torvald and her children – but slam it she did, sending a shockwave of realization, and action, on the part of oppressed women in Western society.

So sit back, and enjoy the continuing conversation – it’s one we’re still discussing, and likely will be for, oh, at least 20 or 30 more years.

- Heather Nowlin, 

Dramaturg, A DOLL'S HOUSE, PART 2

 

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Published in Blog & News

In celebration of the 150th anniverary of the first ballot cast by a woman in US history, the 100th anniversary of the ratification of the 19th amendment, and International Women's Day, Salt Lake Acting Company presents a world premiere from Utah's own, Elaine Jarvik. 

On the morning of February 21, 1895, the day after the great Frederick Douglass died, Susan B. Anthony shows up on his widow’s doorstep. She is there to grieve — but is she also feeling guilty? FOUR WOMEN TALKING ABOUT THE MAN UNDER THE SHEET is an exploration of feminism and race, asking “what compromises should you make in pursuit of a cause?”

Cast 4x3 Clockwise from top left: Colleen Baum, Latoya Cameron, Susanna Florence, Yolanda Stange, and Tamara Howell

Comprising the cast are five actors who are all making their respective returns to SLAC. Colleen Baum* (COURSE 86B IN THE CATALOGUE) plays Susan, Latoya Cameron* (FORM OF A GIRL UNKNOWN) is Zoe, Susanna Florence* (FORM OF A GIRL UKNOWN) is Helen, Tamara Howell (STAG'S LEAP) is Mrs. Stanton, and Yolanda Stange* (SURELY GOODNESS AND MERCY) is Rosetta. Baum, Florence, and Howell all revisit Jarvik's play, having appeared in the New Play Sounding Series reading earlier this year.

The production will be directed by Jason Bowcutt, with scenic design by Justin Ivie, costume design by Spencer Potter, lighting design by cade beck, sound design by Emily Chung, and stage management by Katelyn Limber*

FOUR WOMEN TALKING ABOUT THE MAN UNDER THE SHEET plays SLAC's Chapel Theatre from March 12-22, 2020. Tickets to the special, limited engagement are available online, in person at the SLAC box office, or by calling (801)-363-7522.

 

*Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States

Published in Blog & News

Don't miss the Utah premiere of PETE THE CAT, playing now through December 30th!

When Pete the Cat gets caught jamming after bedtime, the cat-catcher sends him to live with the Biddle family to learn his manners. But for Pete, life is an adventure no matter where you wind up, and the minute he walks in the door, he gets the whole family rocking. The whole family that is, except for young Jimmy Biddle, the most organized second grader on planet Earth. But when Jimmy draws a blank in art class during the last week of school, it turns out Pete is the perfect pal to help him out. Together, they set out on a mission to help Jimmy conquer second grade art, and along the way, they both learn a little something new about inspiration.

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Trayven Call, Jacob Weitlauf, and Shelby Andersen in PETE THE CAT. Photo by dav.d daniels/ dav.d photography


Comprising the cast are Cameron Aragon (Olive), Jacob Weitlauf (Pete the Cat), Joseph Paul Branca (Jimmy), Shelby Andersen (Mom), and Trayven Call (Dad). Weitlauf and Branca return to SLAC’s Upstairs Theatre after appearing in SATURDAY’S VOYEUR 2019. Call recently appeared in SLAC's world premiere of FORM OF A GIRL UNKNOWN. Andersen appeared previously in CIRCLE MIRROR TRANSFORMATION, 4000 MILES, and the 2012 children’s production CLICK, CLACK, MOO: COWS THAT TYPE. Aragon makes her Salt Lake Acting Company debut with PETE THE CAT.

Penelope Caywood, Artistic Director of the University of Utah Children’s Theatre, returns for her 10th children’s production at SLAC. She directs, choreographs, and provides musical direction for PETE THE CAT. Rounding out the creative team are Gage Williams (scenic design), Dennis Hassan (costume design), Justin Ivie (props design) and Jesse Portillo (lighting design).

PETE THE CAT runs through December 30th. Tickets can be obtained here, in person at the SLAC box office, or by calling 801-363-7522.

Published in Blog & News

 

Casting is complete for Salt Lake Acting Company’s upcoming production of HOW TO TRANSCEND A HAPPY MARRIAGE by Sarah Ruhl. The play receives its Utah premiere after an Off-Broadway world premiere at New York City’s Lincoln Center Theater in 2017.

A dinner party gone wild. Two married couples invite a mysterious woman (who hunts her own meat) along with her two lovers to a New Year’s Eve party. From the adventurous and provocative Sarah Ruhl comes a comedy that pushes the boundaries of marriage and the limits of friendship.

The production welcomes the return of SLAC veterans Alexandra Harbold* (HAND TO GOD) as Jane, Jeanette Puhich (RAPTURE, BLISTER, BURN) as George, Topher Rasmussen* (FUN HOME) as Freddie, and Matt Sincell* (TRIBES) as Michael.  Making their SLAC debuts are J. Todd Adams* as Paul, Dominque DeFelice as Jenna, Sceri Sioux Ivers* as Pip, and Lance Rasmussen* as David.

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The production is directed by Adrianne Moore, whose previous SLAC directing credits include RAPTURE, BLISTER, BURN and CIRCLE MIRROR TRANSFORMATION. She is joined on the creative team by Michael Horejsi (set design), Sara Shouse (costume design), Jaron Hermansen (lighting design), Cynthia Kehr Rees (sound design), and Linda and Glenn Brown (specialty prop design).

HOW TO TRANSCEND A HAPPY MARRIAGE plays in SLAC’s Upstairs Theatre April 8 through May 10, 2020. Tickets are available at tickets.saltlakeactingcompany.org, in person at the SLAC box office, or by calling (801)-363-7522.

 

*Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States

Published in Blog & News

 

Salt Lake Acting Company Presents Free Reading of New Play from DEATH OF A DRIVER Playwright

Summer, 1998. Once popular, Arrowhead Community Pool has seen membership decline for years. Retired pool president Dorothy Wilson blames video games and air-conditioning. But when new pool president Freddie Rosedale abolishes Dorothy's longstanding alcohol ban and installs a frozen margarita machine, the place comes back to life, and a battle begins. SWIMMING POOL is a dark ensemble comedy about American excess and restraint on the cusp of the 21st Century. 

Featured in the one-night-only reading are Sean Carter, Barb Gandy, Tamara Johnson-Howell, Dan Larrinaga, Tito Livas*, Morgan Lund*, Kimiko Miyashima*, Nicki Nixon, and Lane Richins*Robin Wilks-Dunn (I’LL EAT YOU LAST, GOOD PEOPLE) serves as director, Natalie Keezer will read stage directions, and Katelyn Limber* is stage manager.

Founded in 1994, Salt Lake Acting Company’s New Play Sounding Series (NPSS) continues its record-breaking 25th year with Will Snider’s SWIMMING POOL. The NPSS is the longest-running play reading series in Utah. Past works that have been workshopped in the NPSS to later receive full productions at SLAC (and elsewhere) include SILENT DANCER and HARBUR GATE by Kathleen Cahill, MERCURY by Steve Yockey, STAG’S LEAP by Sharon Olds, THE AGONY AND THE ECSTASY OF STEVE JOBS by Mike Daisey, A SLIGHT DISCOMFORT by Jeff Metcalf, and THE RECEPTIONIST by Adam Bock. Elaine Jarvik’s FOUR WOMEN TALKING ABOUT THE MAN UNDER THE SHEET, featured during last season’s NPSS, will receive its world premiere at SLAC in 2020.

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SLAC's 2019 NPSS reading of FOUR WOMEN TALKING ABOUT THE MAN UNDER THE SHEET by Elaine Jarvik

 

SWIMMING POOL is free and open to the public. Reservations are required and can be made via SLAC’s website or by calling 801.363.7522.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

 

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SLAC acknowledges the Jarvis and Constance Doctorow Family Foundation for their generous support of the New Play Sounding Series.

 


Published in Blog & News