Salt Lake Acting Company - New Play Sounding Series

New Play Sounding Series Free Reading
Monday, November 9 @ 7pm

Director: Nancy Borgenicht
Featuring: Meg Gibson, Tamara Howell, Valerie Kittel, Susan Levin, and Shannon Musgrave
Dramaturg: Kathleen Cahill
Stage Manager: Justin Ivie

In this intimate sequence of poems, which tell the story of Sharon Olds' divorce, the author opens her heart, sharing the feeling of invisibility that comes when we are no longer standing in love's sight; the surprising physical passion that still exists between a couple during parting; and the loss of everything from her husband's smile to the set of his hip. Adapted for a theatrical reading by Nancy Borgenicht, STAG'S LEAP is both an elegantly personal story of divorce and a universal journey through love, sex, sorrow, memory, and new freedom.

SLAC thanks the Jarvis and Constance Doctorow Family Foundation for their generous support of this vital program.

*First published in Stag's Leap (Alfred A Knopf) copyright Sharon Olds 2012

New Play Sounding Series Free Reading
Monday, September 21, 2015 @ 7pm

Director: Shannon Musgrave
Cast: Olivia Custodio, Danny Egan, Brighton Hertford, Patrick Kintz, William Richardson
Stage Manager/Reader: Sarah Danielle Young

Sloane isn't sure why exactly her husband Timothy brought home a probably dangerous drifter. It's something about "doing a good deed." Of course, it's hard to think straight when her kleptomaniac neighbor keeps dropping by to chat and steal. And then things get violent. BLEEDING HEARTS is a dark farce about the disappearing middle class and the way people can slowly forget how to put themselves in each others' shoes. 

On Monday February 2nd, the words of Tony Kushner will once again reverberate off the walls here at the Salt Lake Acting Company. SLAC is proud to present TINY KUSHER, a series of five short one-act plays by Kushner that is presented in conjunction with the Tanner Humanities Center's lecture with Mr. Kushner on February 5 at Kingsbury Hall, with support from Lee and Audrey Hollaar. Kushner's work is no stranger to the SLAC stage; SLAC was one of the first regional theaters to produce ANGELS IN AMERICA in 1995. It was brought back to the SLAC stage in 2010 for the company's 40th anniversary. Keven Myhre, Executive Producer at SLAC and director of the 2010 re-envisioning of the play, said that ANGELS was the one play that "encapsulated SLAC's mission to produce vibrant new work in contemporary theater... [it] defined that moment in our history."

TINY KUSHNER, unlike ANGELS, won't keep you in your seat for seven hours. Out of the five short plays, all but one feature characters who really existed, including Laura Bush. In typical productions of TINY KUSHNER, only four actors play the multitude of these eccentric personalities, but SLAC will be using a total of twelve different actors for each play. Director Robin Wilks-Dunn says, "When I heard Tony Kushner was coming to Kingsbury Hall, I thought it would be a nice community event to do a reading of one of his scripts that hasn't been done in Salt Lake before. And I thought the perfect partner would be Salt Lake Acting Company."

If you have never had the chance to hear the words of award-winning Tony Kushner in person, TINY KUSHNER is the perfect opportunity for you. You'll get five different samples all for the price of nothing! Bon appetit, theater goers! It is not to be missed.

-Olivia Custodio

BY CORT BRINKERHOFFIn rehearsal, L to R: Jaten McGriff, Cort Brinkerhoff, Colleen Baum, Melanie Nelson, Anne Stewart Mark

Monday, October 6, 2014 @ 7pm
Chapel Theatre

About the Play

Orrin Porter Steed, a seventeen-year-old drifter from Colorado City, is arrested for setting fire to a Mormon church. His caseworker, Faith, delves into his past to figure out why and attempts to reunite the boy with his estranged mother. Meanwhile, as Faith's marriage crumbles, she begins to seek solace from Orrin and finds herself questioning everything she believes in.

THE VERMILLION HAND began as a ten-minute play titled UGLY TO THE BONE. The play was commissioned by Plan-B Theatre Company and premiered at SLAM '06. It was then developed into a full-length script, and workshopped in a script-in-hand production. THE VERMILLION HAND was then re-written as part of Vagrancy's Writers' Group in Los Angeles and received a staged reading at its annual new play festival.

SLAC is proud to welcome Cort Brinkerhoff back to Utah to continue fine-tuning THE VERMILLION HAND in the place where it was first conceived.

About the Playwright

Cort's plays include THE BLUE HOUR, BULLET, THE BOMB PLOT, and THE NIGHTMARE ROOM, a play about the last days of British mathematician, war hero, and convicted homosexual Alan Turing. His works have been produced or had staged readings at The Vagrancy (Los Angeles, CA), Alive Theatre (Long Beach, CA), The Last Frontier Theatre Conference (Valdez, AK), Plan-B Theatre Company (Salt Lake City, UT), Piano Fight Productions (San Francisco, CA), USC, and the University of Utah. His ten-minute play NEUROSIS was published in Canyon Voices Literary Magazine, Issue 8 (Fall 2013). He wrote the screenplay for the independent feature BEYOND THE RYE, which will premiere in Norway in 2015. A native Utahn, Cort began his writing career in the 2003 Playwrights Group at Salt Lake Acting Company led by Julie Jensen and JT Rogers. He holds an MFA in dramatic writing from USC, where he currently serves as an Assistant Instructor. He lives in Los Angeles.

DIRECTOR - Anne Stewart Mark

CAST
Orrin - Jaten Lee McGriff
Faith - Melanie Nelson
Emma - Colleen Baum
Reader - Shannon Musgrave

SLAC's New Play Sounding Series presents a free reading of STREETLIGHT WOODPECKER by Shawn Fisher on Monday, April 28th at 7:00 PM. 

ABOUT THE PLAY

STREETLIGHT WOODPECKER follows the story of Benji, an undersized Marine who has returned to his Irish-Catholic neighborhood in Philadelphia after being critically injured during battle. He bears not only the medals he earned but also the scars, and now that he has come home he must face the emotional wounds he avoided by going to war.  

When his father’s suicide renders him homeless just days after his return, Benji moves in with his childhood friend Sam. Soon questions that threatened Benji throughout his youth resurface, questions about his manhood and his relationship with Sam, and he distracts himself with booze, pills, and reckless fighting. Meanwhile, as Sam tries to protect him from self-destruction, Benji plots to kill a woodpecker that loudly bangs the metal streetlights in the neighborhood.

Shawn Fisher (Playwright) original scripts include SCOPE, THE CROW SONG, CHUMMING, STREETLIGHT WOODPECKER, and DO NOT HIT GOLF BALLS INTO MEXICO which was a National Finalist for the MetLife Nuestras Voces Playwriting Award and the David M. Cohen National Playwriting Award. HOW TO MAKE A ROPE SWING, which had a rolling premiere at both Salt Lake Acting Company and Cape May Stage, won an Edgerton Foundation New American Play Award, was a national finalist for New York's Urban Stages Emerging Playwright Award, and was a nominee for both the Steinberg/American Theatre Critics Association and the Barrie & Bernice Stavis national playwriting awards. His work has been produced or had staged-readings at Cape May Stage, the Spanish Repertory Theatre (Off-Broadway), the Los Angeles Theatre Center, Urban Stages (Off-Broadway), and Salt Lake Acting Company, among others. Shawn is also the Co-founder and Director of the National Playwrights Symposium at Cape May Stage. He earned his MFA in Theatre from Brandeis University and currently serves as a Professor and Head of Graduate Studies in Theatre at Utah State University. He is a native of New Jersey and is a proud member of The Dramatists Guild of America.

Richie Call (Director) is thrilled to be directing a reading for the first time at SLAC. He was previously part of the cast of SLAC's presentation of Do Not Hit Golf Balls Into Mexico, also by Shawn Fisher. Richie's acting credits include work for American Globe Theatre and Gorilla Rep in New York, Mile Square Theatre in New Jersey, and Pioneer Theatre Company, Salt Lake Shakespeare, and the Old Lyric Repertory Company in Utah. Richie is currently an Assistant Professor of Acting at Utah State University, and he is serving as a Co-Artistic Director of the Old Lyric Repertory Company. He received an MFA in Acting from Rutgers University, Mason Gross School of the Arts and a BFA in Performance from Utah State University.

Stefan Espinosa (Benji) is thrilled to be joining SLAC on this project – there is truly nothing more exciting or artistically satisfying than helping to bring a talented playwrights' new work to life. A native of Tucson, Arizona,Stefan has been fortunate to perform with wonderful theatres across the country. Favorite past regional theatre credits include: The Importance of Being Earnest, Urinetown (PCPA); The Pirates of Penzance, Sherlock Holmes: The Final Adventure, Pride and Prejudice (Arizona Theatre Company); Richard III, Henry V, Wild Oats (Wortham Theatre); Big River, Amadeus, Little Shop of Horrors, Lend Me A Tenor (Old Lyric Repertory); Camelot, The Mikado, Guys and Dolls, Fiddler on the Roof (Utah Festival Opera and Musical Theatre) and Stefan will be playing Thenardier in UFOMTs upcoming summer production of Les Miserables. Stefan has a BFA in Musical Theatre from the University of Arizona, and an MFA in Acting from the University of Houston. Stefan also runs the Utah Festival Conservatory for the Performing Arts and is an adjunct member of the Theatre faculty at Idaho State University.

Jason Spelbring (Sam) is thrilled to be a part of SLAC's New Play Sounding Series. Jason is an actor, director and educator. He is currently an assistant professor of acting at Utah State University's Caine College of the Arts. Theatre credits include six seasons at the Tony Award winning Utah Shakespeare Festival, Great River Shakespeare Festival, Kentucky Shakespeare Festival, Ensemble Theatre Company, Santa Barbara and PCPA Theaterfest. This fall Jason will be directing Pierre Marivaux's The Game of Love and Change for the Caine College of the Arts. www.jasonmichaelspelbring.com

Angela Roundy (Elizabeth) attended Utah State University where she earned her BFA in Acting. While at USU she appeared in such productions as KING LEAR, JAMES and the GIANT PEACH, TARTUFFE, and ROSENCRANTZ & GUILDENSTERN ARE DEAD. Her acting training began at the College of Eastern Utah where credits included THE CRUCIBLE, PICASSO at the LAPIN AGILE, and THE CRIPPLE OF INISHMAAN. Angela also appeared in The Neil Simon Festival's production of COME BLOW YOUR HORN.

Richard Johnson (Matt) is thrilled to make his SLAC debut with a talented and seasoned cast of peers. Richard has been seen locally this past summer in THE ODD COUPLE with Old Lyric Repertory Company. California credits include AS YOU LIKE IT with New Village Arts/Moonlight Cultural Foundation, LOST APOLLONIA and PICTURING MY SISTER with New Village Arts/Playwrights Project, JACOB MARLEY'S CHRISTMAS CAROL with Oceanside Theatre Company, and HENRY IV pt1 and THE TEMPEST with North Coast Repertory Theatre/MiraCosta College.

Lance Rasmussen (Reader) has performed for three seasons at the Old Lyric Theatre Company where he played in THE ODD COUPLE, JAMES AND THE GIANT PEACH, and AMADEUS among others. He is about to graduate from Utah State University with a BFA in Theatre Performance. At USU he has acted in plays including CANDIDA, LEARNED LADIES, TALKING PICTURES, A MIDSUMMER NIGHT'S DREAM, OUR COUNTRY'S GOOD, and TWENTIETH CENTURY. He intends to pursue an MFA in acting.