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Salt Lake Acting Company - New Play Sounding Series

January 29, 2014

NPSS: Road to Eden

 

Salt Lake Acting Company’s New Play Sounding Series Presents a Free Reading of

ROAD TO EDEN by Sean Christopher Lewis

 Road to Eden Twitter

Salt Lake Acting Company is pleased to offer a free reading of ROAD TO EDEN by Sean Christopher Lewis and directed by Robin Wilkes-Dunn on Monday, February 24, 2014 at 7 p.m. as part of the New Play Sounding Series (NPSS). An outreach program at SLAC, NPSS provides an essential testing ground where playwrights can see their work in progress and receive insightful feedback from the audience in a post-play discussion. We thank the Jarvis and Constance Doctorow Family Foundation for their support of this vital program.

In 1848 a group of Mormon pioneers flee to the Mexican Territories of Utah to escape their oppressors. In 2013 a Mormon family's life is forever changed when a woman, who came to this country much like their ancestors did, mysteriously risks her life to save their rebellious son. ROAD TO EDEN tells two riveting stories which take place at the same place in Iowa but at two very different times. While the group of pioneers are forced to flee from Missouri and Executive Order 44 which authorizes the murder of any Mormon, a mother, father and son in 2013 are faced with the threat of gang violence. Both groups will be offered help in the form of a bold, strong Mexican woman and both will get way in over their heads.

ROAD TO EDEN explores themes that are complicated in a most thought provoking way. How does one distinguish the word of God from the whim of man? When is it okay to doubt? When is it good to trust? What choices would we make in the face of life-threatening danger? How far can fear push us?

This free reading offers a unique opportunity to hear a new play by an excellent cast and take part in a post-play discussion in which the playwright welcomes comments, questions and feedback from the audience.

THE PLAYWRIGHT
SEAN CHRISTOPHER LEWIS can be heard as a commentator on NPR'S This American Life. His plays have won the Kennedy Center's Rosa Parks Award, the 2010 National New Play Network's Smith Prize, the NEA Voices in Community Award, a Puffin Foundation Artists Award, a Barrymore Award from the Theatre Alliance of Greater Philadelphia, a Central Ohio Critic's Circle Citation for Best Touring Production, a Central Ohio Critic's Circle Citation for Best New Work, a National Performance Network Creation Fund Grant, the William Inge Fellowship and more. He served as National New Play Network Emerging Playwright in Residence at Interact Theatre in Philly and as Playwright in Residence at the William Inge Arts Center in Independence, Kansas. His work includes MAYBERRY (Hancher Auditorium, Bucksbaum Performing Arts Center, Iowa Arts Center); KILLADELPHIA (Baltimore Centerstage, Woolly Mammoth, Interact Theatre, Cape May Stage, Adirondack Theatre Festival, Touchstone Theatre, Hartbeat Ensemble, Drilling Company, Riverside Theatre, CSPS/Legion Arts, John Jay University/Gerald W. Lynch Theatre, Available Light Theatre, Revolutions International Theatre Festival); JUST KIDS (Available Light Theatre, Sandglass Theatre, Working Group Theatre, Pontine Theatre); I WILL MAKE YOU ORPHANS (Uno Festival of Solo Performance, Available Light 01 Festival, Equinox Theatre, Riverside Theatre, Center for Independent Artists, Galapagos Art Space, Hyde Park Theatre, TIXE Arts Center, Bowery Poetry Club);THE GONE CHAIR (Penn State University's Cultural Conversations Festival, Openstage Harrisburg's Flying Solo Festival, Riverside Theatre); MILITANT LANGUAGE (National Premiere at Know Theatre of Cincinnati, Halcyon Theatre of Chicago, Bang and Clatter in Cleveland, and Theater for the New City in NY, published by Original Works Publishing); THE APERTURE (Cleveland Public Theatre); THE HOMESCHOOLING OF JONATHAN ANDERSON (Drilling Company NYC, Luna Theater and Theatre of Note); SURVIVING THE BABY (Riverside Theatre); THE TEACHER SHOW (Revolutions International Theatre Festival) and GOODNESS (Project Y Theatre, Clockwise Theatre). He has been a playwriting fellow at the O'Neill Playwrights Conference and has had his work developed at the PlayPenn New Play Conference, Lark New Play Development Center, Orlando Shakespeare Festival's Harriet Lake Festival of New Work and at the National Center for New Plays at Stanford University. He is currently under commission with Davenport Theatricals, Interact Theatre, Hancher Auditorium, Available Light Theatre and Adirondack Theatre Festival. Internationally he has collaborated on MAJNOON SAITARA with the Ashtar Theatre of Palestine and with the International Theatre and Literacy Project he worked on JOURNEY TO THE DREAM a new play by high school students in Tanzania, East Africa. In 2011 he collaborated and directed WE STOOD UP for the Centre X Centre International Theatre Festival in Rwanda that incorporated the performances and stories of 23 orphaned survivors of the genocide. Lewis is also a noted actor, working Off Broadway at the Pearl Theatre, in NYC at La Mama ETC, regionally with companies like the Pennsylvania Shakespeare Festival, in television and feature films from COMEDY CENTRAL'S Upright Citizen's Brigade to GOD'S COUNTRY and his work has been nominated for the Fox Foundation Fellowship and the Princess Grace Theatre Fellowship.

THE DIRECTOR
ROBIN WILKS-DUNN is back at SLAC after directing GOOD PEOPLE and DOTTIE: THE SISTER LIVES ON. She recently directed LAST LISTS OF MY MAD MOTHER and THE GOOD BODY for Pygmalion Theatre Company. Robin is script supervisor, co-writer and director for a children's touring show for the Intermountain LIVE campaign. Robin has directed several staged readings at SLAC, most recently David Kranes' THE LAST WORD. Other productions she has directed at SLAC include BOOM, PEARL, ONE LAST DANCE and NAPOLEON'S CHINA. She reads scripts for the Sundance Theatre Lab and works as Outreach and Education Coordinator for Kingsbury Hall.

 

 

November 13, 2013

NPSS: Two Stories

 Salt Lake Acting Company’s New Play Sounding Series Presents a Free Reading of 

TWO STORIES
by Elaine Jarvik

Salt Lake Acting Company (SLAC) is pleased to offer a free reading of TWO STORIES written by Elaine Jarvik and directed by Keven Myhre on Monday, Nov. 18, 2013 at 7 PM as part of the New Play Sounding Series (NPSS). This is a special opportunity to experience an exciting new play by local playwright, Elaine Jarvik. An outreach program at SLAC, NPSS provides an essential testing ground where playwrights can see their work in progress and receive insightful feedback from the audience in a post-play discussion. We thank the Jarvis and Constance Doctorow Family Foundation for their support of this vital program.

TWO STORIES is a look at two neighbors, two families, two cultures and the conflicts and misunderstandings that can occur on two different sides of a fence. Jodi Wolcott is a newspaper journalist trying to find her footing in a 24-hour news cycle, while her husband Kevin, after losing his job, is quickly using up their savings on his failing donut shop. When a Pakistani family—Amir and Hasna Masori, their three children, and Amir’s mother Bashira—moves in next door, Kevin and Jodi welcome them with open arms and a pot of chicken masala. Jodi is only too excited to befriend the matriarch of the family, Bashira, a widow who has recently arrived in the United States. Bashira opens up to Jodi, revealing her feelings about her image-conscious daughter-in-law and her eye-rolling grandchildren, and she reveals the reason she left Pakistan so suddenly. With Jodi’s newspaper job on the line, Bashira’s life becomes the fodder Jodi needs to write her next big story.

Two Stories Photo
As Jodi is faced with a choice between friendship and self-preservation, tensions in the neighborhood build as well. Amir and his wife have plans to remodel their house into a large, two-story French chateau that will change the look of the neighborhood and will cut off the Wolcott’s light and view. “Why is my desire for space any less important than your desire for a view?” asks Amir. “Because we were here first,” answers Kevin. Jodi is then caught in the middle, afraid to alienate the Masoris but wanting to keep them from building their addition. Religious and ethnic tensions escalate. Rocks are thrown, a gun is fired, hate crime charges are filed and a fence of prejudice and misunderstanding is built.

The story that Jodi eventually writes about Bashira angers Amir, who is mortified that his family’s privacy has been breached. He accuses Jodi of using his mother’s story and friendship for her own gain. When Jodi’s newspaper colleague, a younger Hispanic reporter, comes to the Wolcotts’ house to write a story about the incident, Jodi is suddenly face-to-face with her prejudices and her own vulnerability at the hands of the media.

TWO STORIES began as a personal war of aesthetics for playwright Elaine Jarvik in 1990 when her neighbor built a faux-stone wall that Elaine felt destroyed the bucolic nature of their wooded lane. What stayed with her, years later, was how helpless she felt to challenge her neighbor’s aesthetics, and how immature she acted in response, retaliating by putting rocks in his mailbox. This unlikely genesis for her play created an outlet for her to explore her professional life as a journalist, her feelings about property and aesthetics, and the ways in which good people can behave badly as they try to protect what they think is theirs. During her career as a newspaper reporter, Elaine covered ordinary people and celebrities, immigrants and the descendants of Mormon pioneers. In writing their stories she often asked herself, “Am I telling the story right? Am I hurting anyone?” Sometimes she woke in the middle of the night worried that she had misspelled someone’s name, or, worse, had not represented these very real people—her “sources”—accurately. It is from these concerns about story and property that TWO STORIES was born.

TWO STORIES is a powerful work that tells an American story with universal appeal. Elaine has created a neighborhood that can exist in any city in the country, with unique characters that promote dialogue and reflection. SLAC has a reputation for producing and championing the work of new plays. At the heart of the theatre’s mission is a dedication to valuably contributing to the American theatre field, as it has for the past 43 years. SLAC works with living playwrights to support the development and continued life of new plays beyond SLAC’s stage. SLAC is equally committed to the important voice of Elaine Jarvik’s TWO STORIES and will work to ensure its continued life.

This free reading offers a unique opportunity to hear a new play by an excellent cast and take part in a post-play discussion in which the playwright welcomes comments, questions and feedback from the audience.

THE PLAYWRIGHT

ELAINE JARVIK
Elaine’s 10-minute play DEAD RIGHT was produced at the Humana Festival of New American Plays in 2008 and has recently been anthologized in the high school textbook, Bedford Introduction to Literature. Her full-length play (a man enters), co-written with her daughter, was produced by Salt Lake Acting Company in 2011, and her play THE COMING ICE AGE was produced by Pygmalion Theatre in 2010. Jarvik has spent most of her writing career trying to report the facts, first for the Deseret News and more recently as a freelance journalist, earning national awards for reporting.

THE DIRECTOR

KEVEN MYHRE
Keven received the Mayor's Artists Award in the Performing Arts in 2009. He was awarded the 2008 City Weekly Award for directing THE CLEAN HOUSE and MOONLIGHT AND MAGNOLIAS at Salt Lake Acting Company. His other directing credits at SLAC include BLOODY BLOODY ANDREW JACKSON, RED, ANGELS IN AMERICA: PARTS I & II, THE OVERWHELMING, RABBIT HOLE, I AM MY OWN WIFE, BAD DATES, KIMBERLY AKIMBO, GOING TO ST. IVES, WATER LILIES, THE MEMORY OF WATER, TWO-HEADED, THE BEAUTY QUEEN OF LEENANE, GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE, C'EST MOI in MERE MORTALS and THREE DAYS OF RAIN. Keven has designed all of SLAC's sets and many of the costumes for the last 18 years. He has also designed 16 sets for The Grand Theatre. He designed sets for ACCORDING TO COYOTE, WEST SIDE STORY, CROW AND WEASSEL, and SOUTH PACIFIC at Sundance Theatre. His designs have also been seen at Pioneer Memorial Theatre, Utah Musical Theatre, Egyptian Theatre, Kingsbury Hall and the Babcock Theatre. His work for the Utah Arts Festival includes site design for the 20th anniversary. He received a BFA from the University of Utah and a MFA in Theatre from the University of Michigan.

CAST

Joel Applegate, Kathryn Atwood, Brenda Sue Cowley, Shane Mozaffari and Nicki Nixon with Marin Kohler as the reader.


 

 

December 03, 2012

NPSS: Devil Dog Six

October 26, 2012

NPSS: Turquoise Wind

April 12, 2012

NPSS: Monsterheart

October 01, 2010

NPSS: Courting Disaster

April 18, 2011

NPSS: (a man enters)

December 17, 2009

NPSS: Virtue

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